Erin BomboyMar 171 minIMPRESSIONS: Kimberly Bartosik/daela’s “through the mirror of their eyes” at New York Live ArtsFor fifty minutes, the future intertwines with the present, and we’re all the better for it.
Erin BomboyMar 101 minIMPRESSIONS: Catherine Gaudet’s “The Fading of the Marvelous (L’affadissement du merveilleux)”The walking sequence is simple, but that doesn’t mean it’s easy.
Erin BomboyFeb 171 minIMPRESSIONS: Gabrielle Lamb/Pigeonwing Dance’s “Plexus: a work in knots” at John Jay CollegeAlthough plexus derives from the Latin word for braid, what it really looks like is a lacy web. These branching networks of nerves and vessels are located in...
Erin BomboyJan 211 minIMPRESSIONS: Thomas L. DeFrantz/SLIPPAGE’s “Soundz in the Back of My Head” at GibneyApproximately three-quarters of the way through his Soundz at the Back of My Head, Thomas L. DeFrantz makes a distinction between listening
Erin BomboyJan 151 minIMPRESSIONS: E/D’s “amplifying the nothing” at Triskelion Artsamplifying the nothing is a work of remarkable efficiency
Erin BomboyNov 19, 20191 minIMPRESSIONS: "Sènsa" by Paul Maheke with Nkisi and Ariel Efraim Ashbel at Abrons Arts In the Bantu language, the word sénsa means “coming to visibility,” “to appear from far away,” and “to reveal itself.” It seems like a word for magicians, pr...
Erin BomboyOct 21, 20191 minIMPRESSIONS: William Forsythe’s “A Quiet Evening of Dance” at The ShedQuiet isn’t silent, and choreographer William Forsythe knows the difference. In his A Quiet Evening of Dance at The Shed’s Griffin Theater, the primary sound...